Mortise-and-Tenon Lifestyle: Habitats and Furniture

Subject
Wood
Location
The Prince's Foundation School of Traditional Arts China Centre
Dates
2020.5.11 - 2020.5.22
Tutor
Shi Hongchao

Course Description

In traditional China, people loved wood: They lived in wooden houses and used wooden furniture. Wood is a warm and gentle material and most deeply expresses the Chinese people’s close physical relationship with nature. Within this visible and tangible world of wood the Mortise-and-Tenon has served as the hidden link to the integrated world of furniture and habitats, infusing the structure of people’s daily lives.
Mortise-and-Tenon also is an expression of Chinese philosophical ideas: Mortise as yang and Tenon as yin – and together they construct an integrated world. Without any nails or hinges and working only through its own connectivity, the Mortise-and-Tenon method reflects and encapsulates the holistic view of Chinese culture.
It is also due to the Mortise-and-Tenon technique that the wooden habitats and furniture of ancient China share the same basic structure. Chinese wooden buildings and furniture both use frame structures. Both integrate forms of pillars: while buildings have beams and square columns, furniture has jambs. The main feature of the official buildings of the Tang and Song dynasties is the inclined column, which can also be found in wooden furniture.
The course will introduce the origin and development of the Mortise-and-Tenon, as well as the relations and historical roots of carpentry work, including the joinery work of doors and windows, and furniture craftsmanship. It will lead to in-depth exploration of the world view, holistic view and natural view of classical China and the profound mystery of the structural and spatial relations that Mortise-and-Tenon has brought to furniture and habitats.
The course also includes a wide range of hands-on practice: researching hardwoods and using 3D Mortise-and-Tenon digital models, reading about the most used Mortise-and-Tenon types, drawing and making real Mortise-and-Tenon models and copying classical furniture drawings. Finally the students will collectively design and produce small-scale models of furniture and habitat design.
    
Course Goal

Explore the historical origins and cultural significance of Chinese Mortise-and-Tenon;
Understand the principles and forms of Mortise-and-Tenon, learn how to design and produce Mortise-and-Tenon;
Explore how Mortise-and-Tenon is used in furniture and habitats;
Explore how to use Mortise-and-Tenon to build furniture and habitats in practice;
Experience the way the living space and culture of traditional China has been shaped through the structures of furniture and habitats.


Course task

Using PPT to explain the philosophical and practical relations between Mortise-and-Tenon, furniture and architectures as theoretical courses;
Learning how to design and draw Mortise-and-Tenon, furniture and architectural drawings;
Learning how to use traditional wood tools to make Mortise-and-Tenon models, furniture models and small-scale wooden building models under the instruction of the tutor and woodcraft masters.

Expected Outcomes

Each student will finish a portfolio of Mortise-and-Tenon, furniture and architectural patterns;
Each student will make several hardwood Mortise-and-Tenon;
The students will collectively finish a wooden building and its interior furniture models with a video documentation.

Tutor biography

Shi Hongchao

Shi Hongchao is a scholar of Chinese classical architecture, Associate Professor at the China Academy of Art and Assistant Dean of the Department of Environmental Art. She received her Master’s and PHD degrees in Architectural History and Theory from Southeast University, with a special focus on the crafts of carpentry and joinery work in Chinese traditional wooden architecture, and has a rich depth of experience in both theory and practice.

Prof. Shi teaches theoretical courses on Chinese architectural history in the School of Architecture of the China Academy of Art. She also leads practical study courses for students in on-site surveying and drawing of traditional Chinese houses, as well as instructing them in how to design traditional and modern wooden architectural structures and gardens. She has been researching traditional Chinese wooden architecture and crafts for over 20 years and has done extensive fieldwork and documentation of traditional craftsmen and sites. Among her completed design projects are temple structures and gardens, including the Yunzhong Pavilion of Lingyin Temple in Hangzhou and the Guanyin Pavilion of the Foji Temple in Cixi, Zhejiang Province.